Teresa Dillon

  • Works
    • They Gathered Rushes
    • Go Deo
    • Turning the Collar
    • In Your Aerial
    • Calling Into the Now
    • What’s In My Pocket?
    • A Eulogy to This Ground
    • Cleansing Rituals for the Internet v.1
    • AMHARC
    • MTCD – A Visual Anthology of My Machine Life
    • Are You Still Watching?
    • Canary Songs
    • I Spy With My Little Eye, Something Beginning with ‘C’
    • Under New Moons, We Stand Strong
    • ADIP (Another Day in Paradise)
    • Sounds Like Here
    • small acts of great significance
    • Slate Tracks
    • Pop Up Landscapes
    • Well Water
    • seeing at a distance
    • It’s A Loving Baby
    • BOP
    • New Political Thoughts
    • The Listening Chair
    • Come Outside
    • i sometimes feel like an animal out here
    • Taking Ground
    • Measc
    • Star Gone Tones
    • Dreams of If and Then
    • enduring love
    • The Drifting Document
    • 7×7
    • Curatorial
    • Urban Hosts
    • transmediale
    • You Might Be A Dog
    • HACK-THE-CITY
    • UM Festival
    • N.I.P – New Interfaces for Performance
    • OFFLOAD: Systems for Survival
  • Writings
  • About
  • Contact
  • Working the Break Point v.3: Maintenance, Repair and Failure in Art: #RIPminitel 1980-2012

    2024, Dillon, T (forthcoming). In: Gaulon, B (ed). The Internet of Dead Things. No School

  • Unleashing the System Aesthetics

    2024, Dillon, T (forthcoming) In: unleashed: Revisiting Early Explorations of Interactive Media in Visual Communication Design, Institute of Digital Communication Environments (IDCE), University of Applied Sciences and Arts Northwestern (FHNW), Basel, Switzerland

  • Grounding Technologies, The creative use of mundane and emerging technologies for place-based, just climate action

    2023, Dillon, T., Lowe, J., Rasbash, Z., Blackburn, M., In: Grounding Technologies, Bristol and Bath, Creative R&D

  • Working the Break Point v.2: Maintenance, Repair and Failure in Art. A Response to “ADVICE WELL TAKEN: Folk Tales of digital salvation”

    2023, Dillon, T., In: ADVICE WELL TAKEN, Dasha Ilina and Supisara Burapachaisri. Impakt Festival, The Netherlands and EMAP

  • TALES OF CARE & REPAIR, Stories of Everyday Maintenance

    2022, Dillon, T. In: Digital Cultures Research Centre (DCRC) Press, University of the West of England, ISBN: 978-0-9927111-3-9

  • The practice of multispecies relations in urban space and its potentialities for new legal imaginaries

    2021, Dillon, T. In: Journal of Human Rights and the Environment, Special Issue on Post-human legalities.

  • Methodologies of Softness

    2021, Dillon, T. In: Copenhagen Architecture Festival (CAFx) Journal, Landscapes of Care, Curated by Soft Agency

  • In the Midst of Concrete Monsters

    2021, Dillon, T. In Copenhagen Architecture Festival (CAFx) Journal, Landscapes of Care, Curated by Soft Agency

  • Liquid Loss: Learning to Mourn Our Companion Species and Landscapes

    2019, Dillon, T. In: Saracino., V. ed., (Fall 2019) Screen City Biennial Journal. Volume 2, Ecologies Lost and Found

  • Interspecies Urban Planning, Reimaging City Infrastructures with Slime Mould

    2019, Dillon, T., Ballam, E., Mayne, R., Phillips, N., and Adamatzky., A. In: Adamatzky., A ed., (2019). Slime Mould in Arts and Architecture. River Publishers Series in Biomedical Engineering. pp. 171-182

  • The Art of Sonic Deception

    2019, Dillon, T. In: "After Post-truth" 2nd In: Marzo, J.L, ed., (2019) Interface Politics Conference Proceedings. Bau, Centro Universitario de Diseño, Sept 2019

  • UNDER NEW MOONS, WE STAND STRONG, Symbolism and literacy within an era of digital oppression

    2018, Dillon, T. In: Bogomir D., Brigitte F., Tarasiewicz, M., eds., (2018) Faceless, Re-inventing Privacy Through Subversive Media Strategies. De Gruyter, Angewandte Edition

  • Urban Hut, Experiments in Civic Hospitality, Openness and Commoning

    2017, Dillon, T. In: Manach L., and Pop S. eds., (2017) Creativity in Urban Context, FutureDiverCities, Public Art Lab, Creative Europe Programme/European Union

  • Reimagining the Art Institution as an Open Source Civic Organisation

    2017, Dillon, T. (2017) In: Arango, J.J., Bubarno, A., César F., Londoño G., & Mauricio M., eds. (2017). Proceedings of the 23rd International Symposium on Electronic Art (ISEA)

  • Working the break point: maintenance, repair and failure in art

    2017, Dillon, T. In: Ag Toft T., ed., (Fall 2017). Screen City Journal. Volume 1, Migrating Stories

  • For What It's Worth: Sound Art Practices within Secondary School Curricula

    2016, Dillon, T. In: King, A., & Himonides, E., eds., (2016) Music, Technology, Education, Routledge & Ashgate

  • Wire Rope Express

    2016, Dillon, T. In: LIMEN, Ecologies of Transmission, de Vega, M., Mazan Gardoqui V., & Silvestrin D., (2016) eds., 17 ehe

  • Hello Citizen! Registering the sound of the Smart City

    2015, Dillon, T. In: Theona, I., and Charitos, D., (2015). Hybrid City 3rd International Conference, Data to the People, University Research Institute of Applied Communication, National & Kapodistrian University of Athens, Full Paper, 17-19 Sept

  • HACK-THE-CITY

    2012, Dillon, T. In: Science Gallery, eds, (2012). HACK-THE CITY, Exhibtion Catalogue, Science Gallery, Dublin

  • CryptoPartyHandbook

    2012, Peirano, M., Oliver, J., Vasiliev, D., Wolf, A., Gerber, J., Dik, M., Newbold, B., Howell, B., AT, Hesse, C., Pinchen, C., Dillon, T., AT., LiamO, l3lackEyedAngels, Story89, Tueffel, T., (2012), ed. V1., BookSprint, Hyde, A., (facilitator). Cover art, Denichaud E., Oct 2012

  • Using mobile and pervasive technologies to engage formal and informal learners in scientific debate

    2010, Woodgate, D., Stanton Fraser, D., Gower, A. Glancy, M., Gower, A., Chamberlain, A., Dillon, T., Crellin, D. In: Goh, T., ed. (2010). Multiplatform E-Learning Systems and Technologies: Mobile Devices for Ubiquitous ICT-Based Education. IGI Global

  • It's all about the position baby!

    2009, Dillon, T. In: Brickwood, C., & Dekker, A., eds., Navigating E-Culture. Virtual Platform, The Netherlands. pp. 25-33

  • Disruptive technologies, pedagogical innovation: What's new? Findings from an in-depth study of students' use and perception of technology

    2008, Conole, G., de Laat, M., Dillon, T., Darby, J. Computers & Education, 50(2), pp. 511-524.

  • Way finding: The formation of trust and understanding in new creative partnerships

    2008, Dillon, T. Multi-Disciplinary Research in the Arts, UNESCO Observatory, The University of Melbourne, Australia, Vol 1, Issue 3.2

  • Current and future practices: embedding collaborative music technologies in secondary schools

    2007, Dillon, T. In: Finney, J & Burnard, P., eds (2007). Music Education with Digital Technology. Continuum, London. pp. 117-130

  • Opening Education: The potential role of Free, Libre and Open Source approaches in education

    2006, Bacon, S., & Dillon, T., Futurelab, Bristol [Last accessed 22 December 2015]

  • Pervasive and ubiquitous computing

    2006, Dillon, T., Futurelab, Bristol, February 2006 [From Futurelab archives, Last accessed 22 Dec 2015]

  • Hail to the Thief: The appropriation of music in the digital age

    2006, Dillon, T. In: O'Hara, K and Brown, G., eds (2006). Consuming Music Together: Social and Collaborative Aspects of Music Consumption Technologies. Springer. pp. 289-206

  • Jungulator: self-generative audio-visual tool

    2005, Dillon, T. Futurelab, Bristol, October 2005 [From Futurelab archives, Last accessed 22 Dec 2015]

  • Computer Game Theory: narrative vesus ludology

    2005, Dillon, T. Futurelab, August 2005 [From Futurelab archives, Last accessed 22 Dec 2015]

  • Learning Through the Built Environment

    2005, Dillon, T. (2005) Guardian Online, Saturday 20 March 2004

  • Speckled Worlds

    2005, Dillon, T. Futurelab, Bristol, December 2005 [From Futurelab archives, Last accessed 22 Dec 2015]

  • Wireless Sensing Networks: an Overview of US development

    2005, Dillon, T. Futurelab, Bristol, December 2005 [From Futurelab archives, Last accessed 22 Dec 2015]

  • Good Vibrations

    2005, Dillon, T. Futurelab, Bristol, May 2005 [From Futurelab archives, Last accessed 22 Dec 2015]

  • FLOSS Away: Free and Libre Open Source Software workshop report

    2005, Dillon, T. Futurelab, Bristol, April 2005 [From Futurelab archives, Last accessed 22 Dec 2015]

  • Rise of the machines

    2004, Dillon, T. Guardian Online, Wednesday 16 June 2004

  • Wired ways over calm cities

    2004, Dillon, T. Futurelab, Bristol, September 2004 [From Futurelab archives, Last accessed 22 Dec 2015]

  • Adventure Games for Learning and Storytelling

    2004, Dillon, T. Futurelab, Bristol, December, 2004 [From Futurelab archives, Last accessed 22 Dec 2015]

  • 'It's in the mix baby': exploring how meaning is created within music technology collaborations

    2004, Dillon, T. In: Miell, D., and Littleton, K., eds,. Collaborative Creativity, Contemporary Perspectives. Free Association Books, London. pp. 144-157

  • Appropriating educational new media: ventriloquism in Virtual Puppeteers and parody in Tableaux

    2003, Williamson, B., Dillon, T., Owen, M. Draft: Available from Futurelab, November 2003 [Accessed 2 April 2014]

  • Collaborating and creating on music technologies

    2003, Dillon, T. International Journal of Educational Research, 39(8), pp. 893-897

  • An Empirical Investigation of the Anxiolytic and Pain Reducing Effects of Music

    2001, MacDonald R.A.R., Mitchell, L., Dillon, T., Serpell, M.G., Davies, J.B., & Ashley, E.A. Psychology of Music, 31(2): 187-203